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š—¦š—µš—¶š—»š˜†. š—¦š˜‚š˜€š˜š—®š—¶š—»š—®š—Æš—¹š—². š—”š—¼ š˜š—æš—®š—±š—²-š—¼š—³š—³š˜€. For years, brands have faced an uncomfortable choice: stunning metallic packaging, or packaging that can actually be recycled. As the Packaging and Packaging Waste Regulation (PPWR) moves closer to reality, that choice is becoming harder to ignore. š—•š˜‚š˜ š˜„š—µš—®š˜ š—¶š—³ š˜†š—¼š˜‚ š—±š—¶š—± š—»š—¼š˜ š—µš—®š˜ƒš—² š˜š—¼ š—°š—µš—¼š—¼š˜€š—²? Metallic effects have long been seen as a challenge for Near-Infrared (NIR) sorting systems, the technology that makes modern recycling work. If sorting systems cannot correctly identify the packaging material, it ends up in the wrong stream. For brands investing in premium aesthetics, that is a real problem. š—§š—µš—®š˜ š—¶š˜€ š—²š˜…š—®š—°š˜š—¹š˜† š˜š—µš—² š—“š—®š—½ š˜„š—² š˜€š—²š˜ š—¼š˜‚š˜ š˜š—¼ š—°š—¹š—¼š˜€š—². What you see in this video is not just beautiful packaging. It is packaging that works, in the recycling system as much as on the shelf. Our pearlescent pigments š—•š—¶š—³š—¹š—®š—¶š—æĀ® and š—œš—æš—¶š—¼š—±š—¶š—»Ā® deliver the rich, š—ŗš—²š˜š—®š—¹š—¹š—¶š—°-š—¹š—¶š—øš—² š—²š—³š—³š—²š—°š˜š˜€ that make š—½š—®š—°š—øš—®š—“š—¶š—»š—“ š˜€š˜š—®š—»š—± š—¼š˜‚š˜, š˜„š—µš—¶š—¹š—² š˜€š˜š—®š˜†š—¶š—»š—“ š—³š˜‚š—¹š—¹š˜† š—°š—¼š—ŗš—½š—®š˜š—¶š—Æš—¹š—² š˜„š—¶š˜š—µ š—”š—œš—„ š—±š—²š˜š—²š—°š˜š—¶š—¼š—». Their semi-transparent behavior in the NIR range means sorting systems can do their job accurately, keeping materials in the right recycling stream. š—”š—»š—± š˜„š—² š—±š—¶š—± š—»š—¼š˜ š—·š˜‚š˜€š˜ š˜€š—®š˜† š—¶š˜. š—Ŗš—² š—½š—æš—¼š˜ƒš—²š—± š—¶š˜. āœ… Premium metallic effects āœ… NIR-detectable printed packaging āœ… Independently validated by the NTCP Institute āœ… Supporting compliance with future PPWR requirements The transition to circular packaging does not have to come at the expense of design. š—Ŗš—¶š˜š—µ š˜š—µš—² š—æš—¶š—“š—µš˜ š—½š—¶š—“š—ŗš—²š—»š˜ š˜š—²š—°š—µš—»š—¼š—¹š—¼š—“š˜†, š—Æš—æš—®š—»š—±š˜€ š—°š—®š—» š—µš—®š˜ƒš—² š—Æš—¼š˜š—µ. This is what going beyond effects really means. More details and direct access to our experts in the first comment. #BeyondEffects #PioneeringSince1959 #CircularEconomy #PackagingInnovation #Sustainability

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