Post by Joachim Jochum

Medical Liaison KI & Entwickler fรผr lokale LLMs/RAG in der Medizin und Bildung ยท Facharzt fรผr Radiologie (MSK) ยท Lehre, Vortrรคge, Buchautor bei Elsevier

๐—” ๐˜€๐˜๐—ฟ๐—ฎ๐—ป๐—ด๐—ฒ๐—ฟ ๐˜‚๐—ฝ๐—น๐—ผ๐—ฎ๐—ฑ๐˜€ ๐—ฎ๐—ป ๐—”๐—œ ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ณ๐—ฎ๐˜ƒ๐—ผ๐—ฟ๐—ถ๐˜๐—ฒ ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ โ€” ๐—ฎ๐—ป๐—ฑ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฒ๐—ป๐—ฑ, ๐˜๐—ต๐—ฒ ๐—ฟ๐—ฒ๐—ฎ๐—น ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐—ถ๐˜€ ๐˜๐—ต๐—ฒ ๐—ผ๐—ป๐—ฒ ๐˜„๐—ต๐—ผ ๐—ด๐—ฒ๐˜๐˜€ ๐—ฏ๐—น๐—ผ๐—ฐ๐—ธ๐—ฒ๐—ฑ. Let me invite you to step out of the usual entrepreneurial or academic AI bubble for a moment. Tomorrow I'm attending the Saxon Innovation Conference in Dresden โ€” including sessions on sustainability, meaning, and creativity in the context of AI. Last night, though, I found myself a witness and an ally in a very different kind of fight: against an opportunist trying to cash in on the success of established, excellent, deeply creative musicians. His method: AI-altered versions of their work โ€” some still unfinished working drafts, released only in fragments โ€” end up on his own YouTube channel to build a following of his own. Whether he's actually a fan of these musicians or not makes no difference to the consequences. Because YouTube automatically scans uploads through its Content ID system. Once an AI-altered third-party version makes it into that database, it can register as a "match" against the actual creators โ€” leading to the absurd result that they end up blocked from monetizing their own work. ๐—ง๐—ต๐—ฒ ๐—ฑ๐—ฎ๐—บ๐—ฎ๐—ด๐—ฒ ๐—ต๐—ถ๐˜๐˜€ ๐˜๐—ต๐—ฒ ๐˜„๐—ฟ๐—ผ๐—ป๐—ด ๐—ฝ๐—ฒ๐—ฟ๐˜€๐—ผ๐—ป. That this kind of slop can threaten someone's livelihood is probably clear to most of you here. But to witness it live โ€” and then to read the excuses and the spite of someone openly violating copyright โ€” does more than give you pause. Wherever musical excellence captivates a large audience this quickly, it inevitably draws people who want a slice of that "attention pie." Without contributing anything of value themselves โ€” and committing clear copyright violations along the way. If you love music, or even have favorite musicians, ask yourself: is it really only the music itself that moves you? Or is it also the admiration and respect for the technical skill and the creative achievement โ€” especially once you get to experience these people live? I've made music myself since childhood. I find AI-generated music pretty soulless โ€” even if, on the surface, it sounds "good" at first, and keeps getting "better." But what AI can replace the joy of standing on a stage as a musician, in front of a grateful audience? None. And what AI can replace the deeply personal bond we build, as listeners, with our profoundly human artists โ€” with all the emotion we cherish in them? Let's sharpen our eye together, so our favorite artists don't sink soundlessly into a sea of AI-generated junk. How do you tell when there's a real human behind a piece of work โ€” and not just an algorithm? #Copyright #CreatorEconomy #ArtificialIntelligence #Music

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