Post by French May Arts Festival 法國五月藝術節

文藝復興肖像畫的多重意涵（下）   《香港賽馬會呈獻系列：邂逅蒙娜麗莎 · 文藝復興的再現》肖像畫系列短片迎來壓軸第二集！藝術史學家范懿莎博士將繼續帶領我們，探索文藝復興時期兩大藝術流派的風格碰撞，以及達文西如何以融合兩種手法並改變肖像畫歷史。   本集聚焦意大利與法蘭德斯畫風的對比：意大利藝術家崇尚古羅馬式的「純側面」理想化肖像；法蘭德斯則開創「四分之三側面」構圖，融入風景背景，甚至細緻描繪皺紋與紅血絲，極致追求寫實。   展覽精選的四幅大西洋手稿，見證達文西融合兩派之長 — 他以「暈塗法」（Sfumato）取代僵硬線條，在真實與理想間取得平衡。讓我們跟隨范博士，看達文西如何突破情感描繪的禁忌，賦予畫中人物永恆的靈魂。   The Multiple Meanings of Portraiture in the Renaissance (Part II)   The final episode of the portraiture short video series presented by “The Hong Kong Jockey Club Series: Meet Mona Lisa & Portraying the Renaissance” is finally here! Art historian Dr. Isabelle Frank will continue to guide us through the stylistic clash between two major Renaissance art movements and explore how Leonardo da Vinci changed the history of portraiture by merging their techniques.   This episode focuses on the fascinating contrast between the Italian and Flemish arts styles: Italian artists favored the idealized "pure profile" inspired by ancient Rome, while the Flemish school pioneered the "three-quarter view," incorporating scenic backgrounds and capturing extreme realism, even down to wrinkles and bloodshot eyes.   The four pages of the Codex Atlanticus featured in this exhibition perfectly witness how Leonardo da Vinci masterfully blended these two traditions. Using the "Sfumato" technique instead of harsh lines, he struck a flawless balance between reality and idealism. Let’s join Dr. Frank to discover how Leonardo shattered traditional boundaries of emotional expression, bringing his subjects to life. The Hong Kong Jockey Club Hong Kong Heritage Museum

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