Post by Elisabete Azevedo-Harman, PhD

Interim Chief, Policy & Best Practices and Special Assistant to the Chief of Staff, MINUSCA | Mission Consolidation, Cross-Cutting Files & Strategic Coordination | Peacebuilding · Governance | PhD | EN · FR · PT · ES

The death of Abdullah Ibrahim made me reflect on how much of my understanding of South Africa came not from books, reports or politics, but from its artists. I lived in South Africa for six years. Like many foreigners, I arrived trying to understand the country through its history, institutions, inequalities and transformations. Yet some of the deepest lessons came through music. Abdullah Ibrahim’s compositions helped me glimpse a South Africa that was complex, wounded, resilient, spiritual, joyful and deeply poetic. His music carried stories that statistics could never tell and emotions that political analysis could never fully capture. At a time when South Africa continues to wrestle with difficult questions of identity, belonging and, at times, xenophobia, his music reminds us of a deeper and more generous vision of the country and its people. Some countries cannot be understood only through reason. They must also be felt. For me, Abdullah Ibrahim was one of the artists who helped me feel South Africa. As we remember his extraordinary life, I find myself returning to Mannenberg. More than a jazz composition, it became part of the soundtrack of dignity, resistance and hope for generations of South Africans. Rest in peace, Abdullah Ibrahim. #peace #southafrica #culture #people #history

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