Post by Ednah Rebeccah

Communications Consultant | Storyteller & Media Relations for CivSource Africa | CivFund | CivLegacy Foundation | CivSource South Africa | CivSource Kenya |Kuonyesha Art Fund | Artist - Animation & Mixed Media | Writer

โœ๐Ÿฝ"๐‹ฤ“๐ค๐ข๐š ๐ฤ๐ซ๐ฒ๐ฌ ๐ก๐ž๐ง๐ฎ๐ฃ๐š๐ ๐จ๐ง ๐ฌ๐ฒ๐ญ ลซ๐ง๐๐ž๐ ๐จ๐ง. ๐Š๐จ๐งฤซ๐ซ ๐ซศณ ๐ฃ๐ฎ๐ซ๐ง๐ž๐ ๐จ๐ง ๐ฌ๐ž ๐ ๐ž๐ฏ๐ข๐ž ๐ฃฤ๐ก๐จ๐ซ, ๐ค๐จ๐ฌ๐ญ๐ข๐ฅ๐ฎ๐ฌ ๐๐š๐จ๐ซ ๐ฌ๐ฒ๐ญ ๐ขฤ ๐ฆ๐จ๐ซ๐ ๐กลซ๐ฅ๐ญ๐š๐ฌ." ๐Ÿ“Œ ๐‘ฝ๐’‚๐’๐’š๐’“๐’Š๐’‚๐’ ๐’•๐’“๐’‚๐’๐’”๐’๐’‚๐’•๐’Š๐’๐’: โœ๐Ÿฝ"๐˜š๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ช๐˜ฏ๐˜ฉ๐˜ฆ๐˜ณ๐˜ช๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฐ๐˜ข๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ง๐˜ฐ๐˜ญ๐˜ญ๐˜ฐ๐˜ธ ๐˜ช๐˜ต. ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ด ๐˜ญ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ข๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ฅ, ๐˜ช๐˜ต ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ ๐˜ญ๐˜ฐ๐˜ฏ๐˜จ๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ณ๐˜ฐ๐˜ข๐˜ฅ." _ Ednah Rebeccah ๐–๐ก๐š๐ญ ๐›๐ž๐œ๐จ๐ฆ๐ž๐ฌ ๐จ๐Ÿ ๐ฎ๐ฌ ๐ฐ๐ก๐ž๐ง ๐š๐œ๐ก๐ข๐ž๐ฏ๐ž๐ฆ๐ž๐ง๐ญ ๐›๐ž๐ ๐ข๐ง๐ฌ ๐ญ๐จ ๐Ÿ๐ž๐ž๐ฅ ๐ฆ๐จ๐ซ๐ž ๐›๐ฎ๐ซ๐๐ž๐ง๐ฌ๐จ๐ฆ๐ž ๐ญ๐ก๐š๐ง ๐ฌ๐š๐ญ๐ข๐ฌ๐Ÿ๐ฒ๐ข๐ง๐ ?โ‰๏ธ There comes a season when one looks upon the path once chosen with great certainty and discovers a quiet but undeniable truth: it no longer leads quite where it promised. The road itself has not changed, nor have the signposts lost their confidence. Yet the traveller, having acquired the troublesome habit of self-knowledge, begins to suspect she has changed. My latest essay lingers in that peculiar territory, between who we have been and who we are becoming. It wanders through memory, identity, expectation, and the private negotiations we conduct with ourselves when familiar definitions begin to feel too small for the soul that inhabits them. It seems that even one's inner convictions occasionally require revision. Most inconveniently, they seldom provide notice and never arrive with a tidy instruction manual. Perhaps becoming is not always a matter of venturing farther. Perhaps it is, at times, the quieter courage of redrawing one's map, even while the old one protests that it has served perfectly well all along. Time has a curious way of altering our understanding. ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ด๐˜ฆ๐˜ฆ ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต๐˜ญ๐˜บ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ?โ‰๏ธ ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ฑ๐˜ข๐˜ณ๐˜ต ๐˜ฐ๐˜ง ๐˜บ๐˜ฐ๐˜ถ๐˜ณ๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ข๐˜ณ๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ๐˜บ ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ฅ๐˜ฆ๐˜ง๐˜ช๐˜ฏ๐˜ฆ?โ‰๏ธ ..... โœ๐Ÿฝ"๐˜›๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ช๐˜ด ๐˜ง๐˜ถ๐˜ญ๐˜ญ ๐˜ฐ๐˜ง ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ต๐˜ฆ๐˜ญ๐˜ญ ๐˜บ๐˜ฐ๐˜ถ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ ๐˜ข๐˜ณ๐˜ฆ, ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜บ๐˜ฐ๐˜ถ ๐˜ข๐˜ณ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ต๐˜ฉ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฃ๐˜ฆ๐˜ญ๐˜ฐ๐˜ฏ๐˜จ. ๐˜›๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด ๐˜ข ๐˜ฎ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฎ๐˜ถ๐˜ด๐˜ต ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ญ๐˜ช๐˜ท๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ข๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ฅ๐˜ณ๐˜ข๐˜ธ๐˜ฏ ๐˜ฐ๐˜ณ ๐˜ฃ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ."ย _ Ednah Rebeccah Nyke kessa daor. I am not ordinary! ..... ๐ŸŽจ Unsuitable Virtues (2D Animation) ยฉ 2026 | By Ednah Rebeccah ๐ŸŽถ 'Catch My Breath' By Kelly Clarkson ยฉSong Credit: All rights to the original artists/label. ย #UnsuitableVirtues