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“The project moved between highly performative spaces and intimate moments, so visually I wanted the image to constantly balance spectacle with emotional isolation,” says DP Cristina Beviá, who shot D’Lourdes’ music video "Get Hurt" with an ARRI ALEXA Mini LF camera and also used an ARRI WCU-4 hand unit. “We were working with a very small crew across a wide range of environments: from open daylight to extremely low-light interiors, which made the flexibility and reliability of the ALEXA Mini LF essential to our approach. “What I appreciated most was the camera’s ability to preserve dimensionality and subtle texture across those extremes without losing the softness or filmic quality we were after. That responsiveness allowed us to move intuitively through constantly shifting locations while maintaining a cohesive visual language that supported the emotional complexity of the artist and the world surrounding them.” #ARRI #ALEXAMiniLF #ARRIWCU4 #CapturedWithARRI
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