Montreal, Quebec, Canada
After 14 years in the visual effects industry, fueled by a passion for bringing the imaginary to life through image composition and the art of detail, my growing interest in management has enabled me to position myself as a support and referent for my teams. I contribute to the continuity of know-how and ensure a pleasant, professional working environment. With a solid technical background, including template creation and Nuke script automation with Python, I facilitate the creative and artistic aspects of projects. This allows for efficiency in project delivery and management while maintaining production goals and meeting customers' qualitative expectations.
- The Mandalorian and Grogu - (2026) by Jon Favreau - Anaconda - (2025) by Tom Gormican - Superman - (2025) by James Gunn • Workflow Automation: I architect advanced Nuke scripts and Python tools to maximize production efficiency. • Visual Integration: I apply a meticulous eye for light and color to achieve seamless, high-end photographic realism. • Production Strategy: I balance elite artistic excellence with a strict commitment to budget and deadlines. • Advanced Compositing: I lead the execution of the most complex multi-layered CG and environmental shots. • Sequence Consistency: I develop standardized templates to ensure a unified visual look across entire projects. • Technical Leadership: I act as a mentor and referent, ensuring the team maintains peak professional standards.
- Snow White - (2025) by Marc Webb - Mufasa - The Lion King (2024) by Barry Jenkins. - Transformers Rise of the Beasts (2023) by Steven Caple Jr. Lead Compositor • Utilize artistic and technical skills for digital compositing tasks (rotoscoping, keying, removals, matte painting integration, 3D elements, and FX) to create high-quality images that meet client requirements. • Lead a team of Compositors by providing guidance, technical advice, creative solutions, and constructive feedback to ensure quality work is delivered on time. • Adhere to production schedules and pipeline, keep skills up-to-date, learn new techniques, and contribute creatively and technically to enhance project quality and productivity.
- Transformers Rise of the Beasts (2023) by Steven Caple Jr. - BARDO False chronicle of a handful of trusth (2022) by Alejandro G. Iñárritu - NOPE (2022) by Jordan Peele - Chip and Dale Rescue Rangers (2022) by Akiva Schaffer - Sonic the hedgehog 2 by Jeff Fowler
- Star Wars The book of Boba Fett (2021) Senior Compositor • Worked on Ep 1 & 2 • In charge of 15 Key shots, approved by the client. •. Integration of a nice creature and beautiful environments.
- Tom and Jerry (2021) by Tim Story Senior compositor • Assist two leads compositors • Work to validate about ten reference shots and integrate cartoon characters and photorealistic CG elements, of about thirty shots on 6 different sequences Adjust lighting and light orientation Improve interaction with the background Create 2D cartoon animations - Project Power (2020) by Henry Joost, Ariel Schulman Compositor • Key shot validation for a sequence • Animate and add photorealistic environment extensions in the rain Contribute to the integration of characters on a green screen Improve final renderings from collaborator scripts - Mulan (2020) by Niki Caro Senior compositor • Assist a lead on auto-comp management for a sequence • Mentoring a new employee Validate key shots for a sequence Responsible for a majority of retime shots Keying and integration of characters on green screen Add photorealistic background - Army of the dead (2020) by Zack Snyder Senior roto-paint artist • Paint out rigs and wires and also actor • Create an out-of-frame image extension - Artemis Fowl (2019) by Kenneth Branagh Compositor • Creation of environments: integration of a character in a snowy landscape on the quays of a Siberian industrial port • Building a 3D environment in Nuke from projection and allowing a slow motion transition between two plates • Designing particle processing for the entire project and creating tools for beauty processing for a sequence Integrate photo-realistic set extensions and characters on green screen Work on the optimization of stereoscopic scripts
The Aeronauts (2019) by Tom Harper- 5 weeks Compositor • Finalize one shoot and optimize gizmo to export the breakdown elements • Improve final renderings from collaborator scripts Dumbo (2019) by Tim Burton Compositor • Set up of stereoscopy scripts Captain Marvel (2019) by Anna Boden and Ryan Fleck Compositor • Keying character on green screen and improve final renderings from collaborator scripts Set up of stereoscopic scripts Contribute to the creation of breakdown elements Pokémon Detective Pikachu (2019) by Rob Letterman Compositor • Set up of 3D elements • Discussion on the issues of the shoots Mary Poppins Returns (2018) by Rob Marshall Compositor • Assisting a lead compositor on the management of a sequence's auto-comp • Work of color correction, light direction, interaction and animation on cartoon characters and elements Integrate characters on a green screen in cartoon environments Fantastic Beasts: The Crimes of Grindelwald (2018) by David Yates Compositor • Integrate the Niffler creature and these interactions on the jacket • Compositor Assistant: Creation of a dmp to allow a connection of a sequence shot Mowgli: Legend of the Jungle (2018) by Andy Serkis Compositor • Integrate Shere Khan and a hyena and other CG elements • Create and add background environnement and 2D elements Set up of stereoscopy scripts
short drama Entre Deux by Alexis Alexis Guerchovitch Vfx Supervisor • Cooperation and agreement on a common working methodology with production and post-production • Recommendation on video file formats and compression • shooting test of smoke Compositor • Matchmove • Paint out • add smoke