Louise Brownsberger

Production Manager at 92NY - Harkness Dance Center

New York, New York, United States

About

A stalwart, production professional, who makes it happen. I am most interested in Production Management or Directorship opportunities with people who share my passion for the arts, especially Dance, and my belief in seeing the humor and humanity within a challenging situation.

Experience

  • Production Stage Manager at Trisha Brown Dance Company
    Apr 2025 - Present · 1 yr 4 mos

    Advances technical aspects of performances in coordination with lighting supervisor and company manager. Calls all shows and leads load in and builds for touring repertory.

  • Production Manager at 92nd Street Y
    Sep 2023 - Present · 2 yrs 11 mos

    Working with the esteemed artists presented by the Harkness Dance Center at the 92nd Street Y, NY, I manage all aspects of their production as it pertains to presenting them in our unique spaces. From full proscenium halls to flexible spaces and studios, I make sure each artists reaches their goals while considering the layered union contracts and production realities of the greater organization. Being 1 of several performing departments at the 92NY to share spaces, I work to maintain the highest production quality while respecting the efforts and overlapping needs of my colleagues.

  • Production & Touring Manager at José Limón Dance Foundation
    Nov 2020 - Dec 2024 · 4 yrs 2 mos

    I became full-time as Assistant Business Manager on December 28th, 2020, promoted to Finance Associate in December 2021, and promoted to Production and Touring Manger in July 2022. Manages daily cash flow, monthly accrual reporting, and accounts payable and receivable. Manages and submits payroll, as well as onboarding both employees and contractors. As Company Manager for the renowned Limón Dance Company, I manage scheduling for both rehearsal periods, residencies and touring; coordinate lodging and accommodations while on tour and for Guest Artists joining us in New York; work closely with Artistic leadership to ensure all technical and logistical needs are met in advance of productions.

  • Head of Electrics and Video for Sasha Velour's Smoke and Mirrors at Right Angle Entertainment
    Oct 2019 - Mar 2020 · 6 mos

    UK/Euro tour March 2020 - (2 weeks, 7 shows in 7 cities) *additional weeks cancelled due to COVID-19 NA Tour Fall 2019 - (6 weeks, 24 shows in 23 cities) LX [ Advanced the hang, networking, and cabling with every venue [ Led overstage and FOH focus [ Cued, programmed and maintained show [ Operated Board for ROS (sometimes) - Ion 2k Video [ Advanced set-up for traveling projector with every venue [ Maintained Qlab file (written by me when this show premiered at New York Live Arts MAR 2019) [ Focused and maintained projector/2 lenses [ Adjusted pixel mapping to account for differing throws [ Maintained and adjusted audio EQs/Effects as part of the video files, working closely with house audio techs to find the right mix per space.

  • Production Apprentice at New York Live Arts
    Aug 2018 - Jun 2019 · 11 mos

    •Rotated through lighting, audio/video and deck roles for 21 Mainstage Productions, 2 Festivals, and 12 Events/Studio Showings in addition to general hand roles on every load in and strike • Assisted in prepping show advances, festival coordination and expense tracking as a Production Assistant • General building and theater maintenance Highlighted Roles: • SM | Everything is Imaginable (Jan ’19); Jack Ferver • SM | AI x ART Symposium (May ’19); Live Ideas 2019 • SBO & Projections | Sasha Velour’s Smoke & Mirrors (Mar ‘19); House of Velour • LBO & Programming | Jack & (Apr ’19); Kaneza Schaal