London Area, United Kingdom
Valued for my integrity, spiritedness and hawk-eyed attention to detail, I'm a resourceful, versatile and ultra-organised producer with over a decade of experience in Film & TV Post who excels in delivering projects efficiently while taking great care of my crew. ๐ฌ Filmography VFX & Animation Production: โข Surviving Earth (Mini Series, 2026) โข Loki (Season 2, 2023) โข The Wheel of Time (Season 2, 2023) โข House of the Dragon (Season 1, 2022) โข The Offer (Mini Series, 2022) โข A Discovery of Witches (Season 3, 2022) โข Blush (Short, 2021) โข The One and Only Ivan (2020) โข Artemis Fowl (2020) โข Dolittle (2020) โข His Dark Materials (Season 1, 2019) โข The Lion King (2019) โข Spider-Man: Far from Home (2019) โข Pokรฉmon Detective Pikachu (2019) โข Dumbo (2019) โข The Nutcracker & the Four Realms (2018) โข All the Money in the World (2017) โข Jumanji: Welcome to the Jungle (2017) โข Kingsman: The Golden Circle (2017) Independent Film Production: โข Game On: Time to Pull the Strings (2010) โข Wan Chai Baby (2010)
โข Invited to help set up the new Milk France studio and run its 1st show ๐๐ข๐๐ฃ๐๐ฃ๐๐๐ ๐ธ๐๐๐กโ.
โค ๐๐ฒ๐ป๐๐ฟ๐ฎ๐น / ๐ฉ๐๐ซ ๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป ๐ ๐ฎ๐ป๐ฎ๐ด๐ฒ๐ฟ - ๐ง๐ฅ๐๐ซ๐ง๐๐ฅ ยท Contract โข Headhunted to explore possibilities of improving production workflow while managing ๐ฟ๐๐๐ (S2, 2023). โค ๐ฉ๐๐ซ ๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป ๐๐ผ๐ป๐๐๐น๐๐ฎ๐ป๐ - ๐๐ง๐๐๐๐๐ฅ ๐ฉ๐๐ซ ยท Part-time โข Invited to help setting up the new studio and its 1st show ๐บ๐๐๐๐ก ๐ธ๐ฅ๐๐๐๐ก๐๐ก๐๐๐๐ (Mini Series, 2023).
โค ๐ฆ๐ฒ๐ป๐ถ๐ผ๐ฟ ๐ฉ๐๐ซ ๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป ๐ ๐ฎ๐ป๐ฎ๐ด๐ฒ๐ฟ โข Line-produced shows for all assets and shots through the entire VFX pipeline to final delivery. โข Led Production & Creative crew of every level in all matters of the shows and client-facing affairs. โข Managed every aspect of the schedule, anticipating issues and providing accurate data for reporting. โข Advised and filled in for Producers. โข Assisted in resources forecast. โข Supervised and trained all Production staff on my shows, while working with others in cross-shows situations and also extending mentorship to all Production staff generally as needed. โ Shows managed: ๐โ๐ ๐โ๐๐๐ ๐๐ ๐๐๐๐ (S2, 2023), ๐ป๐๐ข๐ ๐ ๐๐ ๐กโ๐ ๐ท๐๐๐๐๐ (S1, 2022), ๐โ๐ ๐๐๐๐๐ (Mini Series, 2021) and ๐ด ๐ท๐๐ ๐๐๐ฃ๐๐๐ฆ ๐๐ ๐๐๐ก๐โ๐๐ (S3, 2021) โค ๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป ๐ฆ๐๐ฎ๐ธ๐ฒ๐ต๐ผ๐น๐ฑ๐ฒ๐ฟ โข Performed as senior production member to mentor all Production staff from PAs to producers, regulating consistent practices on all shows. โข Contributed as a key decision-maker to the development of Outpostโs pipeline and workflow, building Shotgrid, defining protocols across all sites and ensuring smooth operation throughout the studio.
โข Line-produced shows for all assets and shots through the entire VFX pipeline to final delivery. โข Led Production & Creative crew of every level in all matters of the shows and client-facing affairs. โข Managed every aspect of the schedule, anticipating issues and providing accurate data for reporting. โข Advised and filled in for Producers. โข Assisted in resources forecast. โข Supervised and trained all Production staff on my shows, while working with others in cross-shows situations and also extending mentorship to all Production staff generally as needed. โ Shows managed: ๐โ๐ ๐๐๐๐๐ (Mini Series, 2021) and ๐ด ๐ท๐๐ ๐๐๐ฃ๐๐๐ฆ ๐๐ ๐๐๐ก๐โ๐๐ (S3, 2021)
โค ๐ฉ๐๐ซ ๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป ๐๐ผ๐ป๐๐๐น๐๐ฎ๐ป๐ - ๐ฆ๐ธ๐๐ฑ๐ฎ๐ป๐ฐ๐ฒ ๐๐ป๐ถ๐บ๐ฎ๐๐ถ๐ผ๐ป ยท Full-time โข Invited to join at special capacity for the studioโs 1st project since Illion merger - ๐ต๐๐ข๐ โ (Short, 2021), overseeing Assets & CFX and managing the crucial point in the pipeline bridging Assets, Anim & CFX to the final renders in LGT & Comp. โค ๐ฃ๐ผ๐๐-๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป ๐ฃ๐ฎ๐ป๐ฒ๐น๐น๐ถ๐๐, ๐ฉ๐๐ซ - ๐๐ป๐๐ฒ๐๐๐๐ป ๐๐ฑ๐๐ฐ๐ฎ๐๐ถ๐ผ๐ป ยท Freelance โข Invited to speak on the educational panel of the regular ๐ ๐ฐ๐ถ๐ต๐ฉ ๐๐ช๐ญ๐ฎ๐ฎ๐ข๐ฌ๐ฆ๐ณ ๐๐ณ๐ฐ๐จ๐ณ๐ข๐ฎ๐ฎ๐ฆ, helping train the next generation by providing insights of the VFX industry.
โค ๐ฉ๐๐ซ ๐๐ถ๐ป๐ฒ ๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐ฒ๐ฟ โข Took over Line Producer duties on ๐ป๐๐ ๐ท๐๐๐ ๐๐๐ก๐๐๐๐๐๐ (Season 1, 2019), managing close to 1000 shots in CFX and ENV/DMP, with a crew of 25 under my leadership in London and remotely in India and Germany: scheduling, overseeing resources and tracking cross-dept. progresses. โค ๐ฉ๐๐ซ ๐๐ผ๐ผ๐ฟ๐ฑ๐ถ๐ป๐ฎ๐๐ผ๐ฟ โข Took on ๐๐๐๐๐๐-๐๐๐: ๐น๐๐ ๐๐๐๐ ๐ป๐๐๐ (2019) as a first project while mastering Shotgun (now named Shotgrid), in charge of Assets and ENV/DMP, revamping their schedules and resetting priorities through the filmโs final 5 weeks of delivery, with around 20 artists under my management. โข Assisted on ๐ท๐๐๐๐ก๐ก๐๐ (2020) during the film's final weeks of delivery, assisting the Producer and supporting the ENV/DMP, Lighting and Assets departments.