Joëlle Dubé

Creative Researcher

Montreal, Quebec, Canada

About

I am currently pursuing an interdisciplinary PhD in Humanities at Concordia University under the supervision of Dr. Matthias Fritsch, Dr. May Chew and Professor Nicolas Renaud. I am researching the intersectional temporalities of intergenerational (in)justices and contemporary Indigenous performative art, through the lens of digestive economies. Positing relationality at the centre of my theoretical preoccupations, I investigate ways of rearticulating the relationship between the currently living and life-to-come. I am also a member of the editorial board of Esse, a contemporary art Tiohtiá:ke/Montreal-based journal.

Experience

  • Art History Professor at Dawson College
    Oct 2023 - Present · 2 yrs 10 mos

  • Member of the editorial board at Les éditions Esse
    Jun 2022 - Present · 4 yrs 2 mos

  • Ministère de la Culture et des Communications du Québec (MCC) (7 yrs 8 mos)
    • Public Art Specialist (Politique d’intégration des arts)
      Oct 2022 - Jan 2026 · 3 yrs 4 mos

    • Cataloger
      Jun 2018 - Jun 2023 · 5 yrs 1 mo

  • Programming Coordinator at Indigenous Futures Research Center
    May 2023 - Jan 2025 · 1 yr 9 mos

  • Creative Researcher at Office of Rules and Norms
    Oct 2019 - Jun 2023 · 3 yrs 9 mos

    https://www.orn.studio/ The rules and norms we decide on today will impact future generations and other forms of life on earth. How can we invite future generations in present negotiations to influence these decisions? How can we make the future present and allow the silenced to be heard? “The speculative imagination is a higher-order human capacity that can productively explore the not-here and the not-yet. But these explorations are limited by prevailing cultural assumptions … There are other areas to explore that, were they taken seriously, could exert sufficient symbolic ‘pull’ to qualify as desirable images of futures. They could then begin to act as ‘mag- nets’ for the realisation of possibilities that are presently obscured.” – Richard Slaughter, Futures Beyond Dystopia