New York City Metropolitan Area
Ash K. Tata makes multi-media works of theater, contemporary opera, performance, cyberformance, live music and immersive experiences. These have been presented in venues and festivals throughout the US and internationally including Theatre for a New Audience, LA Opera, Austin Opera, The Miller Theater, National Sawdust, EMPAC, BPAC, The Crossing the Line Festival, the Holland Festival, The Prelude Festival, The National Centre for the Performing Arts in Beijing, and the Fisher Center at Bard. Tata's work has been called “fervently inventive,” by Ben Brantley in the New York Times, “extraordinarily powerful” by the LA Times and a notable production of the decade by Alex Ross of the New Yorker.