Wisborough Green, England, United Kingdom
I am an award-winning VFX artist with nearly thirty years of experience in the visual effects industry. My skill set spans the full pipeline - from 3D animation, compositing, lighting, and rendering to cutting-edge VR/360 stitching. Throughout my career, I have honed my skills in a wide range of specialities, including tracking, roto, keying, and more. I continue to adapt to evolving technologies and delight in creative challenges. I collaborate with directors, supervisors, editors, and fellow artists to deliver visually stunning work that resonates with audiences. Whether part of a team or working solo, I thrive on bringing complex visual concepts into reality. 💡 Career Highlights: • VFX Supervisor for Kinch & the Double World, a cinematic VR experience nominated for two awards at the 2018 Raindance Film Festival. • Stereoscopic Supervisor for the world’s first stereoscopic 3D cinema ad: Red Bull Air Race (2006). • On-set VFX (LiDAR scanning, photogrammetry) on movies such as Rogue One: A Star Wars Story, Assassin’s Creed, Detective Pikachu, and The Mummy. • VFX, 3D & compositing on The Wizarding World of Harry Potter Super Bowl spot, TV campaigns & website (2010). • Lead 3D artist for American Airlines' rebranding and new livery campaign (2012). • VFX and motion design for Jeff Wayne’s Musical Version of The War of the Worlds live tour (2006). • Lead artist on Nothing Comes Close, winner of the 2005 US International Film & Video Festival Gold Award for VFX. 🔧 My key software skills include 3DS Max, VRay, After Effects, Nuke, Unreal Engine, and Photoshop. I am also skilled in Embergen, Liquigen, Syntheyes, Vue, Mocha, Phoenix FD, Premiere Pro, and Deadline. 🌐 Available for remote freelance work worldwide.
Creating large-scale print graphics for event show walls.
I provide a variety of key visual effects and animation skills, working either in-house as part of your team or remotely from home.
I provided a number of 3D animation and motion graphics elements for a conference, all rendered at a unique 11400 x 900 resolution and projected onto a 100ft wide screen. 3D elements included a football stadium filled with a cheering crowd rendered in 3DS Max & Vray, and bringing the historic founder of the company back to life to present the show in Unreal Engine
I had the good fortune to spend a few weeks working with the fantastic team at Serious Facilities. I was a compositor on a brand new CBBC live action series Called 'Gifted', a show about a group of Scottish teens with superpowers who must join forces to protect themselves from a powerful organization targeting them.