Williamstown, Massachusetts, United States
Alice Miceli's projects are underpinned by research and traverse subjects such as landscape, violence, and memory. Her portfolio, spanning over a decade of exhibitions, has garnered critical acclaim. Her work, Projeto Chernobyl, graced the cover of the renowned O Globo's Segundo Caderno. Miceli's accolades include the 2014 PIPA Prize, and solo exhibitions at Galeria Nara Roesler (2011) and Max Protetch Gallery (2012). Her work, In Depth (minefields), was featured in the PIPA Institute in 2019, and the Escola das Artes and the 17th Istanbul Biennial in 2022. Miceli's oeuvre has been covered extensively in distinguished publications like Art in America, BOMB Magazine, and Hyperallergic. Galeria Nara Roesler represents her work.
Alice Miceli is a Brazilian visual artist and photographer whose work interrogates landscapes scarred by historical violence, environmental degradation, and conflict. Her practice combines investigative fieldwork with innovative photographic techniques to make visible hidden, intangible traumas. Her projects include the Chernobyl Project, in which she developed a radiographic method to visualize the residual radiation in the Chernobyl Exclusion Zone, and In Depth (minefields), a visual mapping of post–conflict terrains in Cambodia, Colombia, Bosnia, and Angola, exposing the latent dangers of landmines and other explosive remnants of war and conflict. Her work has been shown at the São Paulo and Istanbul Biennials, among others, and her awards include the PIPA Prize, the Cisneros–Fontanals Award, and residencies at MacDowell, Yaddo, and Djerassi. Miceli's interdisciplinary approach bridging art, history, and geopolitics continues to redefine narratives of memory, survival, and resilience in contested spaces. At the Clark, Miceli will research urban warfare, probing military strategies in cities transformed into battlefields.
Artist represented by Galeria Nara Roesler.